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Live Jazz in SF Bay

Find what is happening tonight, tomorrow, and this week across Bay Area stages, with ticket status and location first.

77 musicians • 20 instruments • 26 venues • 9 neighborhoods

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Mon, Apr 6, 2:00 AM

Ivy Room Albany

IVY ROOM PRESENTS SUNDAY APRIL 5TH—JOHN DOEplus special guests6pm doors / 7pm showAdvance Tickets AvailableJOHN DOE—As one of the founding members of the Los Angeles punk band , John Doe was one of the most influential figures in American alternative rock during the early '80s. In 1990, he stepped out as a solo artist, blending the uncompromising spirit of punk with country, folk, and roots rock flavors to create music that had a personality of its own without losing touch with the sensibility of . Possessing one of the richest and most expressive voices in American punk, Doe's vocal abilities were adaptable to the diverse roots rock sounds of 1990's Meet John Doe and the more introspective singer/songwriter approach of 2000's Freedom Is … Doe indulged his interest in classic country music on 2009's Country Club, recorded with Canadian roots rockers , and 2016's The Westerner and 2022's Fables in a Foreign Land showed him comfortably transitioning into a contemporary folk artist with a keen eye as a songwriter.John Doe was born John Nommensen Duchac in Decatur, Illinois on February 25, 1953. Doe spent time in Wisconsin, Tennessee, and Maryland and earned a degree at Antioch College in Baltimore before he relocated to Los Angeles, California in 1976. Doe was interested in poetry and was attending a poetry workshop in Venice, California when he met a fellow aspiring writer named . Around the same time, Doe, who had played bass in bar bands before moving to California, had answered an ad in a local newspaper from a guitarist eager to start a punk rock band. The guitarist was Billy Zoom, and when Doe brought to a rehearsal to show off some poems he thought would make good lyrics for a song, the band that would become began to coalesce. With the 1980 album Los Angeles, became the most talked about band in Los Angeles, thanks to the off-kilter harmonies of Doe and , the supercharged rockabilly guitar of , and the clattering rhythms of Doe and drummer D.J. Bonebeak. Four more albums would appear between 1981 and 1985 before left the band after Ain't Love Grand -- an experiment in pushing their music into a hard rock/metal direction, which failed to give the commercial breakthrough they desired. (Doe found time during this period to record with a pair of side projects, the acoustic country-folk combo – which also featured and Bonebrake – on 1985's Poor Little Critter on the Road, and 's group , popping up on their 1981 masterpiece A Minute to Pray, A Second to Die.)In 1987, returned with the album See How We Are, introducing new guitarist , and while the album received positive reviews, it once again failed to break the band to a larger audience. After bringing out a live set, 1988's Live at the Whisky a Go-Go on the Fabulous Sunset Strip, the band split up. By this time, Doe had been dabbling in acting, appearing in 's Salvador (1986), Allison Anders' and Kurt Voss's noir-ish L.A. scene drama Border Radio (1987), and the blockbuster Road House (1989). He had also been playing gigs on his own, and he signed a solo deal with , which had released his debut, Meet John Doe, in 1990. Doe butted heads with the album's producer during the recording sessions, and when it failed to sell to 's expectations, Doe was dropped. As it happened, 's breakthrough with Nevermind in 1991 led to plenty of major labels taking a second look at many noted underground bands of the '80s, and signed a reunited (with on guitar) for a new album, 1993's Hey Zeus! ' imprint stepped up to bring out Doe's next solo project, 1995's more rock-oriented Kissingsohard, which appeared the same year as Unclogged, a semi-acoustic live set from . Not long after the release of Unclogged, quietly broke up, though in 1998, to the surprise of many fans, the original lineup of Doe, , , and Bonebrake reunited for a handful of shows in Los Angeles. The reunion gigs were wildly successful, and continued to tour periodically from then on, when the schedules of the members permitted. While acting kept Doe busy for much of the rest of the 1990s (his résumé included roles in Pure Country, Wyatt Earp, Georgia, Boogie Nights, and Brokedown Palace), he recorded an EP in 1998 for the indie label, For the Rest of Us (it included a track Doe co-wrote with , "This Loving Thing"), and he reissued it in an expanded, album-length version in 2006 as For the Best of Us.In the 2000s, Doe devoted more time to working as a solo recording artist, offering a casually personal sound on Freedom Is…, released by the label in 2000. For 2002's Dim Stars, Bright Sky, issued by . Doe recorded his first acoustic album as a solo artist, though he brought in a number of guest stars to help, including , , , and . Doe signed with the respected roots music label for 2005's Forever Hasn't Happened Yet, a low-key but forceful set with appearances from , , and . Doe stayed with for his next two albums as well, 2007's A Year in the Wilderness and 2009's Country Club, where he was co-billed with Canadian roots band . A new solo album, Keeper, recorded at the Way Station and New Monkey studios in Los Angeles and featuring guest appearances from , , Smokey Hormel, Don Was, and , appeared in 2011. The album featured the rocking lead-off single "Never Enough."In 2012, Doe teamed up with his harmony partner for Singing and Playing, a low-key album featuring new songs as well as interpretations of favorites from the catalog. In 2014 released The Best of John Doe This Far, a collection of highlights from his solo career. In the spring of 2016, Doe found himself looking back and looking forward; he released a new solo album, The Westerner, while also publishing a memoir. Under the Big Black Sun: A Personal History of LA Punk offered an inside look at the scene that produced , with contributions from a number of his musical peers. A second autobiographical effort, More Fun in the New World: The Unmaking and Legacy of L.A. Punk, appeared in bookstores in 2019. In 2020, released their first album of new material since 1993 (and the first studio effort with since 1985), Alphabetland, which was hailed as an exciting re-creation of the band's powerful original sound. Doe and were invited to sing vocals on the song "Destroying Angels," which appeared on the expanded edition of 's 2021 album No Gods No Masters. Doe returned to his solo pursuits with 2022's Fables in a Foreign Land, an upbeat and stripped-down exercise in folk-rock that included an acoustic version of "Destroying Angels" with and contributing backing vocals. It was Doe's first LP for , which had issued 's Alphabetland. ~ Mark Deming & Stephen Thomas Erlewine, Rovi

Tue, Apr 7, 2:30 AM

MUSICIANS

The West Coast Blues Society and Visit Oakland Presents The Oakland Blues Walk of Fame Stolen Plaques Fundraiser concert. This concert will bring you the many different styles of Oakland's R&B and Blues. Featuring: The Best Artist in the bay, the Queen of Bay Area R&B, Dee Dee Simon; Harmonica legend Rick Estrin of Little Charlie & The Nightcats; Lady with Soul, Niecey Living Single; Guitar Show Man, Alvon Johnson; The legend himself, Filmore Slim; Grammy Nominee and Universal Sony Recording Artist, Xymphoni; just returning from a Las Vegas run, Silk-E; American Indian Blues Vocalist, Eli the Chief Albert; German Soul Brother with the Blues, Reggie Rolls; West Coast Caravan of All Stars Review with Sweet Meat Horns and last but certainly not the least, our MC Brenda Knight of Ladies in Red. This is a Non-Stop, exciting show!!

Wed, Apr 8, 2:00 AM

Ivy Room Albany

ivy room presents TUESDAY APRIL 7TH—PRISM BITCHLADY STARBEASTFUZZ KIT—Doors 7:00pm / Show 7:30pmAdvance Tickets Available / $15 Door—IVY ROOM860 San Pablo Ave, Albany • 21+PRISM BITCH—Life tilts from one extreme to the next. PRISM BITCH does as well. The Albuquerque for now trio—Lauren Poole [bass, vocals], Chris Walsh [guitar], and Teresa Cruces [drums, vocals]—hop from robust riff-ery to sticky sweet hooks before dipping back into moments of distorted bliss and warm melodies. With no shortage of unexpected thrills, they construct something of a sonic rollercoaster on their 2021 independent full-length debut, Perla. "We’re an aggressively friendly band," smiles Teresa. "We cover a spectrum of topics. The music can be serious and existential or super fun—just like real life". "When you listen to us, maybe you feel like we visited you at home, listened to what you had to say, and even helped you clean up," laughs Lauren.Lauren and Chris first met as members of a small theatre company, where they dreamed up a plan for a performance art project in the guise of a band. In 2015, they crossed paths with Teresa. Their initial project idea soon morphed into an actual band, which they named Prism Bitch. The group wanted to take "bitch" back and hold that word with pride. "When Lauren asked me to be a part of this performance art project, we wanted to make sure the songs were really good, which pushed us to focus more on the songwriting than the actual story," explains Chris. "This led to the creation of our band more so than a theatre project".Prism B!tch made their introduction with 2017's The Getaway EP before unleashing the self-titled Prism Bitch EP a year later. Along the way, they’ve amassed over 100K cumulative streams, won three Weekly Alibi "Best of Burque" Music Awards, and ignited iconic stages, including The Whisky A Go-Go, The Roxy, and Webster Hall.LADY STARBEAST—Defying traditional genre and embodying idiosyncrasy, Oakland-based dark pop artists Ilana Magill and Marc Martell join forces to form the project Lady Starbeast. Ilana is the songwriter and vocalist; Marc creates the instrumentation; and together they record and produce. Ilana combines sultry, powerful vocals with operatic background harmonies, dark, eerie and intricate melodies and a wild, irreverent spirit. Her lyrical content explores the introspective particularities of mental health, while using a broad lens to remark on the human condition. Marc’s dramatic electro-pop instrumentation gives the listener a glimpse into the inner-workings of their minds and hearts, making for a raucous and haunting experience.FUZZ KIT—Fuzz Kit is a SF Bay Area post-punk band, formed in 2023. With vulnerable lyrics and overdriven guitar, they compress sonic explorations into tight, hard-hitting songs. They harness the intensity of living in this world, with moody vocals over fuzzy guitar hooks and powerful beats.

Fri, Apr 10, 3:00 AM

Ivy Room Albany

INSTRUMENTS

ivy room presents THURSDAY APRIL 9THPlanet Booty's presents: Booty Camp Spring Break—PLANET BOOTYTOP SECRET ROBOT ALLIANCE—Doors 7:30pm | Show 8:00pm—IVY ROOM860 San Pablo Ave, Albany • 21+—Planet Booty's presents: Booty Camp Spring Break their second ever Bay Area residency and first since 2022. Happening the last four Thursday's in April each night features a dance heavy lineup of funk, disco, R&B, and comedy that will celebrate all aspects of their eclectic community. Complete with merit badges - every night will have a theme ranging from radical joy, body positivity, inclusivity, and living your best life - Booty Camp will be the ultimate escape from the tumult of our times but also a melting pot of the people that make the Bay Area so special... all while working your glutes in the best way possible. Need to get away? Buy your ticket(s) to Booty Camp Spring Break before it's too late.PLANET BOOTY—Planet Booty’s sound is a divine mixtape of pop, R&B, 90’s house, 70’s funk and classic hip-hop that might have been made by your strangely attractive high school gym coach. Their sexual diversity, unrelenting energy, showmanship and body positivity transforms any venue into an inclusive, sensually charged safe space.TOP SECRET ROBOT ALLIANCE—There's nothing funny about seriously good dance music.Lucious Sandstone - guitar, crucial harmonies, soft yet edgy flairDion Thunder - bass, beats, synth, sultry chants, the best power thrusts this side of LV-426

Mon, Apr 13, 12:30 AM

About The Electric Squeezebox Orchestra (Jazzschool Resident Artists) is a 17-piece big band led by Erik Jekabson and features many of the best players and arrangers in the Bay Area! The Electric Squeezebox Orchestra is the Bay Area’s own 17-piece big band, led by trumpeter Erik Jekabson, playing music composed and arranged by its members. The composers and arrangers, some of the very best in the Bay, draw from a wide variety of influences but always come up with powerful music with groove, beauty and subtlety. The band, which started a steady Sunday residency at the Jazzschool, has collaborated with a number of special guest artists, including John Santos, Kenny Washington, Alan Ferber, Dayna Stephens, Mads Tolling, Sandy Cressman, Kellye Gray, Avotcja, Spok and Ben Goldberg.

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